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Columbia Classical Ballet Announces New Leadership Amid Challenges

Dancers performing on stage at Columbia Classical Ballet

News Summary

Columbia Classical Ballet (CCB) is set for a significant leadership change as Joseph Phillips takes over as artistic director in January 2025, following Brooklyn Mack’s resignation. This transition occurs amidst recent funding cuts from the City of Columbia’s Hospitality Tax fund, which have raised concerns among dancers and supporters. Phillips, a local talent and seasoned dancer, aims to enhance the quality of ballet in Columbia and build partnerships with local dance schools, all while preparing for the upcoming December performance of ‘The Nutcracker.’

Columbia Welcomes New Leadership at Columbia Classical Ballet Amid Challenges

In an exciting shift for the local arts scene, Columbia is set to see changes at the helm of its beloved Columbia Classical Ballet (CCB). Following the resignation of Brooklyn Mack as artistic director, Joseph Phillips, a homegrown talent and acclaimed ballet dancer, is poised to step into the role in January 2025. This transition comes in the wake of recent funding cuts that have stirred concern amongst dancers and supporters of the ballet company.

Funding Woes Hit the Ballet

CCB’s financial landscape took a significant hit when the City of Columbia’s Hospitality Tax fund slashed its expected funding from $150,000 to $75,000. This reduction has sent ripples throughout the organization, which previously relied heavily on city support, with over a third of its estimated annual budget of approximately $400,000 coming from these funds. Brooklyn Mack, while stepping down, has voiced worries about how this financial squeeze will impact the dancers, especially regarding their resources. It seems that under such tighter constraints, each dancer might only have a single pair of pointe shoes to last them through extensive rehearsals.

The drastic cuts are not just about shoes. Mack highlighted that reduced financial support also means less rehearsal time, which translates to nearly 20 fewer hours of training each month. Such limitations could hinder the dancers’ growth, creativity, and overall performance quality.

Joseph Phillips Takes Charge

Cue the entry of Joseph Phillips, affectionately dubbed the “Golden Boy of Ballet.” A native of Columbia, Phillips comes equipped with an impressive array of accolades, boasting multiple international gold medals and a diverse performance history with leading ballet companies around the globe. His deep-felt connections to the local community are evident, especially as he previously graced the stage during CCB’s LifChance fundraiser.

After hearing about Brooklyn Mack’s decision to resign, board chair Leigh Lumpkin received a call from Phillips, expressing his excitement to lead the company through these uncertain times. His vision for CCB revolves around not just maintaining but enhancing the quality of ballet in the area. He aims to bring more classical ballet to Columbia while also forging valuable partnerships with nearby dance schools, ensuring the talent pipeline remains robust.

The Power of Connection

Before Phillips officially takes the reins, the CCB is gearing up for its much-anticipated December performance of “The Nutcracker.” Under the skilled eye of resident choreographer Simone Cuttino, local audiences can expect a delightful experience this holiday season.

In the midst of change, the Columbia ballet scene is rallying around Phillips. Local performer Lanny Spires has highlighted Phillips’ exceptional leadership skills, particularly in the classroom, predicting that his influence will greatly benefit the South Carolina ballet community. With an eye towards addressing the twin challenges of audience growth and funding, Phillips is eager to restore camaraderie among local dance organizations and breathe new life into CCB.

Resilience Through Challenges

CCB has shown remarkable resilience in the past, overcoming various hurdles like the devastating studio flooding in 2015 and founder Radenko Pavlovich’s health issues. These experiences have fortified the organization’s spirit. Now, as it prepares to embrace a new leader, CCB stands at the brink of a new chapter filled with possibilities, facing the future with hope and determination.

Columbia’s dance lovers can look forward to seeing how Joseph Phillips’ leadership transforms the Columbia Classical Ballet, bringing fresh energy to the wonderful world of dance!

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